Audition Advice
What to do:
For a print-out of this list, please click here.
- Present a professional image (you get only one chance to make a first impression)
- Take control of the situation (plan what your are going to play and do)
- Dress for the occasion
- Be on time and warmed up
- Make sure your instrument and reeds are working properly
- Leave your case outside the room
- Have your instrument out and ready
- Introduce yourself to the committee members, shake hands if possible
- Speak clearly; look people in the eye
- Know the correct pronunciations of composers, titles, etc.
- Choose music that is appropriate/get advice
- Don't change repertoire less than a week before the audition
- Prepare well in advance of the audition date
- Communicate if you have a legitimate problem (LONG BEFORE the audition)
What not to do:
- Do not wear shorts, jeans, hats, t-shirts, etc.
- Do not make excuses or apologies (for anything)
- Don't draw attention to problems (the committee may not notice)
What not to say:
- "I haven't warmed up"
- "I haven't had a chance to practice very much"
- "I didn't know…"
- "I just got this horn/music"
- "I don't have my instrument, sticks, etc."
- "I didn't bring any music to play for my audition"
"I just found out about this audition date" - "Nobody told me"
At the audition:
- Give yourself plenty of time to do everything (get up early, arrive early to the audition, etc.)
- Avoid over-practicing/warming up too much - it may cause nerve problems (and fatigue)
- Warm up alone and don't listen to other players
- Perform your selections in an order that maintains the committee's attention
- Play to your own standards: Don't try to second guess how the committee would like something performed
- Take some risks. . . communicate musically; show them the depth of your musical soul
- Demonstrate your ability and facility; dazzle them with your blazing technique
- Maintain a positive appearance even if you do not play well